The Singer and the Song by Peter Skellern

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The Singer and the Song by Peter Skellern
The Singer and the Song by Peter Skellern

Album Released: 1993

The Singer and the Song ::: Artwork

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1.You're A Lady4:41
2.Abdul Abulbul Amir3:02
3.Lean Back And Let It Happen2:43
4.Georgia Moon4:06
5.She Had To Go And Lose It At The Altar2:16
6.Our Jackie's Getting Married2:57
7.The Streaker2:35
8.Hold On To Love3:01
9.Rockin' Chair4:18
11.Somebody Call Me Tonight2:23
12.Send My Heart To San Francisco4:01
13.All Last Night2:57
14.That Is The End Of The News3:39


There are two sides to Peter Skellern’s music ...

His ‘trademark’ sound is very much rooted in his Lancashire background, with many of his song arrangements featuring his piano accompanied by brass bands and male voice choirs from the collieries of Northern England, quite often complemented further by angelic-sounding church choirs too (Skellern used to be a choirmaster).

And added into the mix occasionally is his rather droll Northern wit, something I first encountered when I was sent a very entertaining recording of a Noel Edmonds BBC Radio One show which happened to feature Skellern as that week’s guest performer.

But prior to hearing that, my only impression of Skellern had been based entirely on his hit single "You’re A Lady" (the track that opens this compilation), which was a thoroughly maudlin and over-produced piece of balladic sludge! So the Peter Skellern that featured on the radio show was a bit of a pleasant contrast, and it prompted me to check him out further.

I’ve just detailed the two sides of Skellern mentioned in the first line. One is the aspiring ‘serious’ singer/songwriter, who frankly isn’t very good at either writing or singing ballads - he always seems to come across as a bit pathetic and wimpish - and unfortunately, half the songs on this collection are of that ilk, with Skellern kinda wringing his hands, and sobbing into his handkerchief at the same time.

In sharp contrast, there’s Skellern’s dry humour, something that emerges in his witty little ditties, which are often every bit as doomladen as his more ‘serious’ material, but with the gloom leavened no end by lashings of irony (on this release, obscure oldies "She Had to Go and Lose It at the Altar" and "Abdul Abulbul Amir").

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by Reviewer: bluemoon